Rob and Alan, the central couple in DADA WOOF PAPA HOT, tell us early in the play that they will be taking their daughter, Nikki, to see “Peter and the Wolf.”
It’s 15 minutes to curtain, and I’m sitting on a sofa in THE KING AND I's male-ensemble dressing room, talking to Kelvin Moon Loh about the cast’s contribution to Broadway Cares/Equity Fights AIDS’s annual Gypsy of the Year talent show.
In his new review of DADA HOT PAPA , New York magazine’s Jesse Green writes, “When a play trains its basilisk gaze on a demographic you belong to, it may seem as if the playwright took notes inside your head.”
